It’s also a really compact panel that makes it ideal for DITs or travelling colorists. It works with apps like DaVinci Resolve, Adobe Premiere Pro and FCPX, along with Assimilate Scratch, Autodesk Flame and more.Īt just or £650 the Tangent Wave2 is really well priced for the level of controls and functionality that you get built in.
If you’re looking for an affordable colour grading control panel that works with a whole host of software applications then the Tangent Wave2 is a great option. Essentially, the post ‘Blackmagic Design’ era makes a colour grading control surface no longer the preserve of the ivory tower grading suite elite. This is largely due to the market forces of a growing demand thanks to many more people having access to cameras shooting flat or LOG profiles and the colour grading software to make these images look good. Interestingly, there has never been a better time for anyone looking to make use of a colour grading control surface at the ‘affordable’ end of the market. When grading, it’s helpful to adjust several parameters at once, to see how the image reacts. With dedicated knobs, buttons, dials and wheels set to specific functions, muscle memory quickly develops as you learn your panel. Speed isn’t just about jumping to specific commands to alter your image. If you’re wondering whether you even need a colour grading control surface in the first place, then you probably don’t, but if you want five good reasons why a colour grading control surface can be helpful then this post over on has some helpful considerations, including client perception, speed and efficiency increases and more.
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